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LANFRANCO, Giovanni La separation Saint Pierre et de Saint Paul oil painting


La separation Saint Pierre et de Saint Paul
Painting ID::  31004
LANFRANCO, Giovanni
La separation Saint Pierre et de Saint Paul
mk70 Toile. H.1.07 L.1.39 Versailles,Musee National du Chateau

   
   
     

LANFRANCO, Giovanni Recreation by our Gallery oil painting


Recreation by our Gallery
Painting ID::  32533
LANFRANCO, Giovanni
Recreation by our Gallery
mk79 1630-1631

   
   
     

LANFRANCO, Giovanni Hagar in the Wilderness oil painting


Hagar in the Wilderness
Painting ID::  33581
LANFRANCO, Giovanni
Hagar in the Wilderness
mk86 undated Oil on canvas 138x159cm Paris,Musee National du Louvre

   
   
     

LANFRANCO, Giovanni Annunciation oil painting


Annunciation
Painting ID::  40418
LANFRANCO, Giovanni
Annunciation
mk156 c.1616 Oil on canvas 296x183cm

   
   
     

LANFRANCO, Giovanni Hagar in the Wilderness oil painting


Hagar in the Wilderness
Painting ID::  55761
LANFRANCO, Giovanni
Hagar in the Wilderness
mk244 138x159cm Oil on canvas paris

   
   
     

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     LANFRANCO, Giovanni
     Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger

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